How to Know if You Alternator Is Bad
Hollywood seems determined to profit from remakes and sequels that movie makers have no concern writing, producing or releasing. Rather than working hard to generate new films — ones with novel plot devices, leads and stories from underrepresented communities and compelling cinematic visions, for example — the bigwigs of the American film industry are on a mission to speedily ruin any remnant of millennial childhood nostalgia.
So, it is with a heavy heart — and in recognition that January 10, 2021, marks v years since the passing of the absolutely legendary and incomparable David Bowie — that I am forced to address the annunciation of a Labyrinth sequel. Now, does the original film require, necessitate or even hint at a sequel? Is the lead actor from the original moving-picture show prepared to make an appearance? Is the original manager nonetheless available? The answer to these questions is a single, resounding "NO." And notwithstanding, here we are. Sigh.
Allow me to take a brief moment to hash out why a Labyrinth sequel is an atrocious, terrible, no-proficient thought.
A Bowie-Less Labyrinth Sequel Will Be a Travesty
The upcoming Labyrinth sequel faces some tough challenges. For starters, it's going to be missing its eternal, androgynous Jareth the Goblin King — a.grand.a. the incomparable David Bowie. In 2016, the iconic genre- and gender-bending rock star lost a long boxing with liver cancer. His failing wellness was a well-kept clandestine, and fans and admirers from all over the world mourned his untimely passing.
If yous believe that Bowie's absence from a Labyrinth sequel is more a casting challenge than a reason to cancel the entire projection, I'd recommend that you lot go dorsum and watch the original 1986 motion-picture show. Bowie'southward presence extends beyond his insanely flustered hairdo, gigantic codpiece and cool charismatic demeanor — the human also wrote and performed more than half of the film's soundtrack.
Seeing Bowie perform equally Jareth is much like watching him every bit Ziggy Stardust. It can exist challenging to separate the truth from the fiction of these performances, as Bowie becomes so engrossed in his characterization that he simply ceases to be himself. Even every bit an adult, it's difficult to scout Jareth the Goblin King prance, trip the light fantastic and sing without occasionally stopping to think, "Wow. That really is David Bowie. And, aye, I volition 'Dance the Magic Dance' downward my hallway."
I'm sorry, but it'due south impossible for a casting managing director to observe a multitalented actor/musician to fill up Bowie's shoes in an upcoming sequel. It's also a challenge to imagine whatsoever viable reason why the original — seemingly immortal — Goblin King would have suddenly changed form. This type of confusion only deepens when considering what might go of the Labyrinth'due south creatures.
Jim Henson, the mastermind behind the Muppets, directed the original Labyrinth film. His masterful puppetry showed a depth of skill unmatched by rival puppeteers, and in a time without impressive CGI graphics, he was one of the become-to guys for practical special furnishings. Sadly, Henson passed away in 1990. Since that fourth dimension, there have been no less than five theatrical releases with his charming Muppet characters — and they've all been awful.
Some might have those movies as a sign that Henson's absenteeism is no big deal when attempting to make a sequel. They would be incredibly wrong. A Labyrinth sequel without Bowie AND Jim Henson would exist similar a Mrs. Doubtfire sequel without Robin Williams. (Don't yous dare, 20th Century Trick!) Just stop thinking near it and capeesh this magic for what it is!
Making a sequel to the Labyrinth moving-picture show without using Henson's puppets would be similar George Lucas abandoning practical puppetry from his Star Wars franchise in favor of poorly-generated computer graphics. Oh…that'southward already happened, and the response has been less-than-stellar. Fans who have grown up watching a specific movie are spring to feel slighted, misunderstood or merely patently cheated when that picture ends upward lost in technological translation.
Non convinced that fans don't want a CGI-heavy Labyrinth remake? Take a expect at how The Lion King fanbase (and critics) reacted to the CGI "live-action"' Disney remake. Here'south a spoiler: They didn't similar it.
A Project Fueled by Profits, Non Passions
All of this begs the question, "Why are these executives green-lighting and then many '80s remakes and sequels correct now?" Unfortunately, the respond lies in nostalgia-based turn a profit. Academics have long studied consumer behavior, and it seems that recent studies have non fallen on deafened ears.
In 2014, the Journal of Consumer Research published findings on the connection between nostalgia and money-spending habits. They discovered that people are more willing to spend money when they're feeling sentimental or cornball. Advertising executives and moving picture producers accept taken this tidbit of information and run with it.
That's why our current motion-picture show industry is flooded with remakes and unasked-for sequels, peculiarly to icons from the 1980s and 1990s. Children from that era are now full-fledged adults with existential dread about the future every bit climate change, pandemics and political chaos leave generations clamoring for familiar, comforting nostalgia.
Just rather than re-releasing original footage on updated media (think Blu-ray and 4K downloads), the film industry would rather take existing intellectual belongings and rebrand it for the younger generation. In most cases, the result is an alienated original audience and a disinterested youth. This is all done in the name of and for the sake of profit.
So Please, Leave This Gem of a Motion-picture show Lone
A movie shouldn't be pre-judged as practiced or bad, of course, but should instead be judged past its merit, reception and lasting bear on. Still, even the near advanced hologram technology could not revive Bowie'southward onscreen presence (NOR SHOULD It). And no corporeality of CGI could replace the authenticity and wonder of Henson's creations.
The merely thing that could remain consequent betwixt the original Labyrinth film and its proposed sequel is its main screenwriter, Terry Jones (of Monty Python fame and glory). But equally of this moment, at that place'southward no word from the crumbling Brit every bit to his possible involvement in writing a sequel.
As a event, at that place's little hope that a Labyrinth 2 would be anything more than a shameless, soulless cash grab aimed at adults who long for the simpler, stranger earth that lay before them during the '80s. Any project based on turn a profit, not passion, is doomed to neglect, and that's why I'grand not looking forward to the mess of a sequel that undoubtedly lies ahead.
Source: https://www.ask.com/entertainment/labyrinth-sequel-bad-idea?utm_content=params%3Ao%3D740004%26ad%3DdirN%26qo%3DserpIndex
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